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Buck Privates is a 1941 American musical film military comedy directed by Arthur Lubin that turned Bud Abbott and Lou Costello into bona fide movie stars. It was the first service comedy based on the peacetime draft of 1940. The comedy team made two more service comedies before the United States entered the war ( In the Navy and Keep 'Em Flying). A sequel to this movie, Buck Privates Come Home, was released in 1947. Buck Privates is one of three Abbott and Costello films featuring The Andrews Sisters, who were also under contract to Universal Pictures at the time.
Abbott and Costello performed a one-hour radio adaptation of the film on the Lux Radio Theatre on October 13, 1941.
Meanwhile, spoiled playboy Randolph Parker and his long-suffering valet, Bob Martin, also report to the theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate further with the introduction of Judy Gray, a camp hostess and a friend of Bob's upon whom Randolph sets his sights.
At boot camp, Slicker and Herbie are mortified to discover that Collins, the policeman who chased them, is now their sergeant. Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the Army will do Randolph some good. For all the difficulties, camp life isn't so bad, since The Andrews Sisters appear at regular intervals to sing sentimental or patriotic tunes (including "Boogie Woogie Bugle Boy") and Herbie continues to foul up with little consequence.
Although he is an expert marksman, Randolph skips an army shooting match in order to spend the afternoon with Judy. The company loses the match and all the money they had bet on him, causing them to resent him even more. However, during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the sham battle for his company. He is finally accepted by his unit and wins Bob's and Judy's admiration in the process. When he learns that he's been accepted to Officer Training School, he initially refuses, believing that his father's political influence was responsible. However, his commanding officer assures him that his training record and recommendations from his superiors factored in the decision. Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them there as a hostess. Meanwhile, Smitty and Herbie accept Collins' invitation to shoot dice, but Herbie ends up (literally) losing his pants.
The "drill routine", where Smitty tries to get Herbie and other soldiers to march in formation, had been performed by Abbott and Costello on stage for more than three years,Palumbo, Ron. The Universal Filmscript Series: Abbott and Costello: Buck Privates. Bear Manor Media, 2013. where it lasted about two-and-a-half minutes. Director Arthur Lubin and film editor Arthur Hilton, recognizing the potential for a major comedy scene, combined footage from all the various takes—in which Abbott and Costello never performed the same way twice—and extended the drill routine into a five-minute sketch that became a highlight of the finished feature. Abbott and Costello were amazed when they saw the scene on film; they were so accustomed to the shorter, two-minute sketch that they couldn't believe how cleverly it had been amplified.
Lubin recalled the film "was very strange to shoot because they didn't go by much of a shooting script. Being burlesque comedians they just did their old routines. They would say 'This routine is "Spit in the Bush".'... And they would have to act it for me and show it what it was. The entire first script was a series of titled gags. I would just say 'We'll take a close up here and a two shot here'. I never interfered. There were was nothing I could do because these were tried and true old burlesque things that they and their forefathers and their forefathers, probably since the Greek period, had done."
Universal had already sold Buck Privates to exhibitors as a low-priced "B" feature, rented to theaters for a flat fee instead of a percentage of the ticket sales. This became an embarrassing mistake when the film went on to become Universal's biggest moneymaker of the year, grossing over $4 million at the box office at a time when movie tickets averaged 25 cents. Because of the flat-fee rentals, the studio had surrendered much of the profits to the theaters. Universal began promoting Abbott and Costello as a major attraction, and from then on sold their films as "A" features commanding higher prices and profits. Universal gave director Lubin, who was under contract at a fixed salary, a $5,000 bonus and told him to start on another film, Hold That Ghost. Lubin directed five Abbott and Costello films in ten months.
The reviewer for Variety wrote: "Geared at a zippy pace, and providing lusty and enthusiastic comedy of the broadest slapstick, Buck Privates is a hilarious laugh concoction that will click solidly in the general runs for profitable biz."
Film Daily enthused: "If ever a 'sleeper' appeared out of Hollywood, this is it ... the attraction is a grand, madcap musical which packs a whale of a wallop for the general public liking laughs galore on the frankly slapstick side."
Harrison's Reports described it as "A good comedy for the masses ... Abbott and Costello definitely establish themselves as a comedy team that should win wide popularity."
The studio was against using "(I'll Be With You) In Apple Blossom Time" because of fees demanded by the music publisher. The Andrews Sisters paid the fee themselves, and it went on to become one of their most requested songs.
"Bounce Me Brother, With a Solid Four" also features one of the more famous Lindy Hop dance sequences of the swing era. Many dancers from Los Angeles, including Dean Collins, Jewel McGowan, Ray Hirsch, and Patty Lacey, are featured.
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